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Jean-Luc Ponty - Imaginary Voyage 1976 ATLANTIC Sealed A20 8-TRACK TAPE
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Jean-Luc Ponty - Imaginary Voyage 1976 ATLANTIC Sealed A20 8-TRACK TAPE
Jean-Luc Ponty - Imaginary Voyage 1976 ATLANTIC Sealed A20 8-TRACK TAPE
Jean-Luc Ponty - Imaginary Voyage 1976 ATLANTIC Sealed A20 8-TRACK TAPE
Jean-Luc Ponty - Imaginary Voyage 1976 ATLANTIC Sealed A20 8-TRACK TAPE

Jean-Luc Ponty - Imaginary Voyage 1976 ATLANTIC Sealed A20 8-TRACK TAPE

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Imaginary Voyage is a studio album by French Jazz-Fusion artist Jean-Luc Ponty. It was released in 1976 on Atlantic Records.

Jean-Luc Ponty (born 29 September 1942) is a French virtuoso violinist and jazz composer.

In 1969 Frank Zappa composed the music for Jean-Luc's solo album King Kong (World Pacific). In 1972 Elton John invited Ponty to contribute to his Honky Chateau album. Within a year – at the urging of Frank Zappa and The Mothers of Invention who wanted him to join their tour – Ponty emigrated with his wife and two young daughters to the United States and made his home in Los Angeles. He continued to work on a variety of projects – including two of John McLaughlin's Mahavishnu Orchestra albums Apocalypse (1974) and Visions of the Emerald Beyond (1974) and tours until 1975, when he signed on as a solo artist with Atlantic Records.

For the next decade Jean-Luc toured the world repeatedly and recorded 12 consecutive albums, all of which reached the Billboard jazz charts top 5 selling millions of LP phonorecord album copies. His early Atlantic recordings like 1976's Aurora and Imaginary Voyage firmly established Jean-Luc Ponty as one of the leading figures in America's growing jazz-rock movement. He went on to crack the top 40 in 1977 with the Enigmatic Ocean album and again in 1978 with Cosmic Messenger. In 1984 a video featuring time-lapse images was produced by Louis Schwarzberg for the song "Individual Choice". Along with Herbie Hancock, Ponty also became one of the first jazz musicians to have a jazz (fusion) music video.

Besides recording and touring with his own group, Ponty also performed some of his compositions with the Pittsburgh New Music Ensemble, the Radio City Orchestra in New York, as well as with symphony orchestras in Montreal, Toronto, Oklahoma City and Tokyo. In the late 80s he recorded a pair of albums, The Gift of Time (1987) and Storytelling (1989) for Columbia.

On 1991's Epic-released Tchokola, Ponty combined his acoustic and electric violins, for the first time, with the powerful polyrhythmic sounds of West Africa. He also performed for two months in the U.S. and Canada with a cast of African expatriates he had encountered on the Paris music scene. In 1993 Ponty returned to Atlantic with the album No Absolute Time. Working with American and African musicians, Jean-Luc expanded on the explorations of Tchokola with a moving and soulful result. "There is a whole scene in Paris of top-notch African musicians," he says. "I was very curious and wanted to educate myself in these rhythms, which were totally new to my ears."

In 1995 Ponty joined guitarist Al Di Meola and bassist Stanley Clarke to record an acoustic album under the name The Rite of Strings. This all-star trio also undertook a six-month tour of North America, South America, and Europe that earned them intercontinental critical praise.

Ponty regrouped his American band in 1996 for live performances following the release of a double CD anthology of Ponty's productions for Atlantic Records entitled Le Voyage: The Jean-Luc Ponty Anthology. One of these concerts was recorded in Detroit, Michigan, in front of 6,000 fans. It was released in February 1997 by Atlantic Records under the title Live at Chene Park.

In 1997 Jean-Luc Ponty reassembled his group of Western and African musicians in order to continue pursuing the new style of fusion music that he had begun to explore in 1991. Together they toured for three years from the Hawaiian Islands to Poland and in North America as well as in Europe. Ponty also performed a highly acclaimed duet with bassist Miroslav Vitous in December 1999. In January 2000, he participated in Lalo Schifrin's recording with a big band, Esperanto. In June 2001 Ponty performed duets with Vadim Repin, the young Russian star of classical violin, and at the Film Music Festival in Poland with American jazz violinist Regina Carter.

In August 2001 Jean-Luc Ponty released his studio CD Life Enigma on his own label (J.L.P. Productions, Inc.), a return to his concept from the 70s with very modern production. Ponty played all the instruments on some tracks and was joined by his band members for performances on other tracks: William Lecomte (keyboards), Guy Nsangué Akwa (bass), Thierry Arpino (drums) and Moustapha Cissé (percussion). Ponty gave a successful concert with his band in his native town of Avranches (in the French province of Normandie) on 21 September 2001. He was also honored during a special ceremony at City Hall, gaining recognition from his compatriots. He then embarked on a successful concert tour in the USA in October–November 2001. In May 2001 Ponty recorded a concert with the same musicians at the opera house in Dresden, Germany. This recording was released in July 2002 on a CD entitled Live at Semper Opera (J.L.P. Productions, Inc. – Navarre Distribution in North America and Le Chant du Monde-Harmonia Mundi in Europe).

In January 2003 Jean-Luc toured India for the first time, seven shows in six major cities for the Global Music Festival organized by Indian violinist L. Subramaniam. Jean-Luc brought along his bassist Guy Nsangué Akwa; both performed with Subramaniam’s band and drummer Billy Cobham who was also a guest star on that tour. Ponty also did an extensive tour across the U.S.A. in the autumn.

In 2004 the PAL version of Jean-Luc Ponty's first DVD Jean-Luc Ponty in Concert was released in Germany (Pirate Records 202756-9), in France-Italy-Spain (Le Chant du Monde/Hamonia Mundi 974 1195). The NTSC version was also released in 2004 in North America (J.L.P. Productions, Inc./Navarre Distribution JLP 004). It contains a live concert with his band filmed in Warsaw in 1999, mixed in Dolby 5.1 surround-sound audio and released with bonus materials including an 11-minute film of travels and backstage scenes. In some countries, Jean-Luc Ponty in Concert is also available on CD.

Jean Luc Ponty & His Group toured in 2004 in France, Germany, Austria, Hungary, and Lithuania (and in Mumbai, India in their first concert as a complete ensemble). Ponty also performed on a reunion tour with Stanley Clarke and Al Di Meola as violinist in the Rite of Strings from June to October 2004 in the U.S. and Canada.

In 2005 Ponty toured with a new project called Trio! in collaboration with Stanley Clarke on double bass and Béla Fleck on banjo.

In 2006 Ponty reunited 'Jean Luc Ponty & His Band' and toured in the U.S., Chile, Venezuela, Western and Eastern Europe, Russia, The Middle East and India; they also recorded a new studio album called The Atacama Experience with guitarists Allan Holdsworth and Philip Catherine performing on a few tracks.

In April 2012 Ponty reunited with guitarist Al Di Meola and bassist Stanley Clarke for the second set of a concert at the Chatelet Theatre in Paris to celebrate five decades in music. The first set featured Ponty with a string orchestra behind him. The concert was very well received.

In September 2012 along with violinist Mark Feldman, Ponty co-produced the debut album Brooklyn Bazaar of Scott Tixier, writing the liner notes for that Sunnyside Records release.

Jean-Luc Ponty has been an avid user of 5-string electric violins (with a low C string) since 1977. He sometimes also uses a 6-string electric violin called the Violectra, with both the low C and low F strings (not to be confused with the violectra he played from the late 1960s to the mid-1980s that had the usual 4 strings but tuned an very-unusual octave lower). Ponty was among the first[citation needed] to combine the violin with MIDI, distortion boxes, phase shifters, and wah-wah pedals. This resulted in his signature, almost synthesizer-like sound.

Retrieved from
https://en.wikipedia.org/wiki/Jean-Luc_Ponty
A20

Because this tape is sealed new and we cannot inspect for play-ability, we offer no warranty or guarantees on how well this tape will perform once it is opened and removed from the cellophane package. Because this sealed new 8-track tape is very old, the foam pad and glue on the foil splice most often has a tendency to deteriorate over many years of time. Always inspect and replace if necessary those items before playing any sealed new 8-track tape, or damage to the tape and player may occur.

If you would like this new sealed tape gently opened and inspected for play-ability with a new pad and foil splice added, please go to "New 8-track tape repair" in the New 8-track tape category and we will gladly perform the work for you. Please be sure to select the number of repairs needed for the amount of sealed tapes you are purchasing.
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