D.E. 7th is a 1982 album by Welsh rock musician Dave Edmunds. The album was Edmunds' first project for Arista Records (in the UK) and Columbia Records (in the US), following a five-year stay with the Swan Song label.
Besides the label switches, D.E. 7th marked another big change for Edmunds; his band Rockpile had broken up the previous year, forcing him to assemble a whole new group of musicians for the album. The new band coalesced around guitarist Mickey Gee and bassist John David (both of whom had played with Edmunds in Love Sculpture), veteran pub rock pianist Geraint Watkins, and drummer Dave Charles. This group, who'd already recorded an album together as Geraint Watkins and the Dominators, would record and tour with Edmunds throughout the rest of the 1980s.
D.E. 7th would reach #60 on the UK album charts and #46 on the Billboard 200, becoming his highest-charting solo album ever in the United States. The album's sales were helped by the inclusion of a previously unreleased Bruce Springsteen song, "From Small Things (Big Things One Day Come)" (Springsteen's version, an outtake from his 1980 album The River, would remain unreleased until 2003). In his 2005 book The Ties That Bind, author Gary Graff explains:
When (Edmunds) went to see Springsteen perform at Wembley Arena (in 1981), he expected a good show but not necessarily a new song to record. "I was backstage in the hospitality area after the gig," Edmunds remembered, "and one of his crew of road managers tapped me on the shoulder and said, 'Bruce wants to meet you.' I went back and had this great talk with him, and he played me this song and said, 'I'd like you to do this, if you like it.' He said he'd send me the tape, which he did."
Edmunds' recording of "From Small Things" reached #28 on Billboard's Mainstream Rock Tracks chart, and later appeared on his 2004 "best of" collection (also entitled From Small Things). One other D.E. 7th track was selected for that collection: a cover of Brian Hyland's 1962 top-30 hit "Warmed Over Kisses (Left Over Love)". Edmunds transformed the song, originally a countrypolitan waltz, into an uptempo bluegrass romp.
Edmunds told the New Musical Express at the time that he had happened across pianist Liam Grundy playing in a bar quite by chance and upon hearing the heartfelt ballad "One More Night" invited Grundy to the studio a couple of days later to record it.
David William Edmunds (born 15 April 1944 in Cardiff) is a Welsh singer/songwriter, guitarist, actor and record producer. Although he is mainly associated with pub rock and new wave, having many hits in the 1970s and early 1980s, his natural leaning has always been towards 1950s style rock and roll.
Edmunds was born in Cardiff. As a ten year old, he first played in 1954 with a band called the Edmunds Bros Duo with his older brother Geoff (born in 1940, Cardiff); this was a piano duo. Then the brothers were in the Stompers later called the Heartbeats formed around 1957 with Geoff on rhythm guitar, Dave on lead guitar, Denny Driscoll on lead vocals, Johnny Stark on drums, Ton Edwards on bass, and Allan Galsworthy on rhythm. Then Dave and Geoff were in The 99ers along with scientist and writer Brian J. Ford. After that Dave Edmunds was in Crick Feather's Hill-Bill's formed in c 1960, with Feathers (Edmunds) on lead guitar; Zee Dolan on bass; Tennessee Tony on lead vocals; Tony Kees on piano and Hank Two Sticks on drums. The first group that Edmunds fronted was the Cardiff-based 1950s style rockabilly trio The Raiders formed in 1961, along with Brian 'Rockhouse' Davies on bass (born 15 January 1943, Cardiff) and Ken Collier on drums. Edmunds was the only constant member of the group, which later included bassist Mick Still, Bob 'Congo' Jones on drums and John Williams (stage name John David) on bass. The Raiders worked almost exclusively in the South Wales area.
In 1966, after a short spell in a Parlophone recording band, the Image (1965–1966), with local drummer Tommy Riley, Edmunds shifted to a more blues-rock sound, reuniting with Congo Jones and bassist John Williams and adding second guitarist Mickey Gee to form the short lived Human Beans, a band that played mostly in London and on the UK university circuit. In 1967, the band recorded a cover of "Morning Dew" on the Columbia label, that failed to have any chart impact. After just eighteen months, the core of 'Human Beans' formed a new band called Love Sculpture that again reinstated Edmunds, Jones and Williams as a trio. Love Sculpture released their debut single "River to Another Day" in 1968. Their second single was a quasi-novelty Top 5, a reworking Khachaturian's classical piece "Sabre Dance" as a speed-crazed rock number, inspired by Keith Emerson's classical rearrangements. "Sabre Dance" became a hit after garnering the enthusiastic attention of British DJ John Peel, who was so impressed he played it twice in one program on "Top Gear". The band issued two albums.
After Love Sculpture split, Edmunds had a UK Christmas Number 1 single in 1970 with "I Hear You Knocking",[7] a Smiley Lewis cover, which he came across while producing Shakin' Stevens and the Sunsets' first album entitled A Legend. The recording was the first release on Edmunds' manager's MAM Records label. This single also reached No. 4 in the US, making it Edmunds' biggest hit by far on either side of Atlantic Ocean. It sold over three million copies, and was awarded a gold disc.[8] Edmunds had intended to record Wilbert Harrison's "Let's Work Together", but when he was beaten to that song by Canned Heat, he adapted the arrangement he intended to use for it to "I Hear You Knocking". The success of the single caused EMI's Regal Zonophone Records to use an option that it had to claim Edmunds' album, 1972's Rockpile, and the momentum from the single's success on a different label went away.
Edmunds' only acting role followed, as a band member in the David Essex movie Stardust.[9] After learning the trade of producer, culminating in a couple of singles in the style of Phil Spector, "Baby I Love You" and "Born to Be with You", he became linked with the pub rock movement of the early 1970s, producing Brinsley Schwarz, Ducks Deluxe, and also the Flamin' Groovies, using a stripped down, grittier sound. Also in this time frame, Edmunds produced the 1972 debut album of the British blues band Foghat.
Edmunds had bought a house in Rockfield, Monmouth, a few miles away from Charles and Kingsley Ward's Rockfield Studios where he became an almost permanent fixture for the next twenty years. His working regime involved arriving at the studio in the early evening and working through till well after dawn, usually locked in the building alone. Applying the layered Spector sound to his own productions it was not unusual for Edmunds to multilayer up to forty separately recorded guitar tracks into the mix.
His own solo LP from 1975, Subtle as a Flying Mallet, was similar in style. The Brinsley Schwarz connection brought about a collaboration with Nick Lowe starting with this album, and in 1976 they formed the group Rockpile, with Billy Bremner and Terry Williams. Because Edmunds and Lowe signed to different record labels that year, they could not record as Rockpile until 1980, but many of their solo LPs (such as Lowe's Labour of Lust and Edmunds' own Repeat When Necessary) were group recordings. Edmunds had more UK hits during this time, including Elvis Costello's "Girls Talk", Nick Lowe's "I Knew the Bride", Hank DeVito's "Queen of Hearts" (later a larger, international hit for American country-rock singer Juice Newton), Graham Parker's "Crawling from the Wreckage", and Melvin Endsley's "Singing the Blues" (originally a 1956 US Country No. 1 hit for Marty Robbins, then a US pop No. 1 cover for Guy Mitchell, and a UK No. 1 for both Mitchell and Tommy Steele). The album Repeat When Necessary received a Silver Certification from the British Phonographic Industry on 20 March 1980 (for over 60,000 copies sold in the UK). The single "Girls Talk" also received a Silver Certificate from the BPI.
On his 1983 release, Information, Edmunds collaborated on two songs with Jeff Lynne, the leader of Electric Light Orchestra. One of these songs, a Lynne composition, "Slipping Away", became Edmunds' only other US Top 40 hit, spending a single week at No. 39 while having a video clip in heavy rotation on MTV. It was not a hit in the UK. In 1984, Lynne produced six tracks on Edmunds' following album, Riff Raff.
In late 1985, Dave Edmunds was the musical director and a participating band member of Carl Perkins's Rockabilly Session television special. Other musicians involved in the project included George Harrison, Ringo Starr, and Eric Clapton.
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