Recorded In 1966.
Sabicas (proper name: Agustín Castellón Campos) (16 March 1912 – 14 April 1990) was a Spanish flamenco guitarist of Romani origin.
Sabicas was born in Pamplona, Spain, and began playing guitar at the age of five and made his performing debut two years later. His early style was influenced by Ramón Montoya, to whom he was related on his mother's side of the family. Extensive collaboration with important cantaores (male flamenco singers) of the period helped him develop his personal style.
Leaving Spain in 1936 during the Spanish Civil War, he went into exile in South America with bailaora (dancer) Carmen Amaya. He lived in Mexico City, married Esperanza González Erazo and had four children: Maricruz 1944, Carlos 1946, Agustine 1952 and Margaret 1956. Agustine and Margaret live in New York City, Maricruz lives in Alaska, and Carlos is deceased. Amaya and Sabicas toured together several times. Sabicas later settled in New York City in the United States where he formed a life-long friendship and business association with classical guitarist Rolando Valdés-Blain. He did not return to his native Spain until 1967.
Sabicas was instrumental in the introduction of flamenco to audiences outside of Spain and the Spanish-speaking world. He was probably best known for his technical skills: blazingly fast picados (scales), fast arpeggios, quality composition for the many forms of flamenco, and infallible rhythm, which was critical when playing with a dancer. He was also considered to have perfect pitch. "The finest technique around has got to be Sabicas, the flamenco player," Chet Atkins told Guitar Player Magazine in March 1972.
Sabicas was one of flamenco's greatest guitarists, not only as a technician, but also as a composer. He played flamenco at a previously unimaginable level and created new techniques, opening up new possibilities for the solo instrument. He brought his art to concert halls and major theaters, making it available to all classes. Modern players such as Paco de Lucía, Tomatito, Serranito, René Heredia, Juan Manuel Cañizares, El Viejín, Vicente Amigo, Gerardo Nuñez, Javier Conde and many more acknowledge the great influence of Sabicas's music.
Sabicas died at the age of 78 at a hospital in Manhattan, New York, of complications from pneumonia and multiple strokes.
Retrieved from
https://en.wikipedia.org/wiki/Sabicas
Joe Beck (July 29, 1945 – July 22, 2008) was an American jazz guitarist who was active for over 30 years.
Born in Philadelphia, Beck moved to Manhattan in his teens, playing six nights a week in a trio setting, which gave him an opportunity to meet various people working in the thriving New York music scene. By the time he was 18, Stan Getz hired him to record jingles, and in 1967 he recorded with Miles Davis. By 1968, at age 22, he was a member of the Gil Evans Orchestra. Beck described his early success in an interview near the end of his life:
My career happened because I happened to be in the right place at the right time in a very unique time of jazz music. ...when I would finish a gig around two in the morning I would go around the corner to the Playboy Club and sit in with Monty Alexander and let Les Spann take a breather and I would finish the gig for him. Then we would go and listen to Kenny Burrell play around the corner or we would go up to Mintons and listen to Wes Montgomery and sit in with him.
Beck played in a variety of jazz styles, including jazz fusion, post bop, mainstream jazz, and soul jazz, but also respected rock stylists and cross-over players (he was good friends with Larry Coryell) and briefly flirted with rock music styles himself in the late 1960s and early 1970s.
In 1970 Polydor released Rock Encounter. In 1975 he released an eponymous album (upon which he simply referred to himself as "Beck") while recording the Esther Phillips album, What a Diff'rence a Day Makes, both for Kudu. Beck was subsequently reissued as Beck & Sanborn to cash in on the success of alto saxophonist David Sanborn. In 1971, Beck left music for three years to become a dairy farmer, citing frustration with his career.
In 1978, he went for more of a rock sound by forming a band named "Leader". They performed in the Northeast and recorded demos at Sound Ideas Studios in New York City, but soon disbanded when the band's gear was stolen after a gig at Joyous Lake in Woodstock, New York. In the 1980s Beck recorded for DMP including with flautist Ali Ryerson. In 1988, Beck left music again for a return to farming, but was touring again by 1992. Beck toured and recorded with duos and small groups, releasing two more solo albums (1988, 1991). In 2000, he collaborated with guitarist Jimmy Bruno on Polarity, which extensively featured Beck's Alto guitar, and in 2008 on Coincidence with John Abercrombie.
Beck worked as a sideman or session guitarist with a wide variety of well-known jazz, rock, and fusion musicians, including Louis Armstrong, Duke Ellington, Buddy Rich, Woody Herman, Miles Davis, Maynard Ferguson, Howard Roberts, Tommy Tedesco, Larry Coryell, John Abercrombie, Tom Scott, Jeremy Steig, and Gabor Szabo. In mid-life Beck spent less time playing and worked more as a composer of commercial jingles and as an arranger, writing arrangements for Frank Sinatra and Gloria Gaynor. Joe also arranged and produced many records including projects for Frank Sinatra, Gloria Gaynor, and two albums for Esther Phillips including her hit single, "What A Difference A Day Makes". Over the years, Joe was signed to contracts with Columbia, Polydor, Verve, Gryphon, CTI, and MGM Records.
The National Academy of Recording Arts and Sciences honored Beck five times with its Most Valuable Player Award. Beck also recorded with the Royal Philharmonic Orchestra in London, the Milan Philharmonic in Italy, and The Paris String Ensemble in France.
Beck's first wife, Sigi, was a model and later married an internationally renowned economist, Dr. Zoran Hodjera. At Beck's death, he was married to Marsi Beck and was survived by five children.
Beck died in Woodbury, Connecticut, of complications from lung cancer. His album Get Me Joe Beck was posthumously released in 2014.
Joe Beck worked with guitar manufacturer Cort Guitars in the 1990s to create two hollow-body jazz guitar models. The first was the BECK-6 model, which was an electric, hollow-bodied archtop jazz guitar, and the second was the BECK-ALTO model, a similar instrument but designed for heavier strings and alto tuning. In 2001, the retail price of the BECK-6 model was $895, and the BECK-ALTO model was $1195. Two finishes were available on both guitars, a blonde "natural" finish, and a black-and-orange "vintage burst" finish.
The main differences between the models were the accommodations made for thicker strings on the BECK-ALTO model, and only one electronic pickup on the BECK-ALTO versus two on the BECK-6. The single pickup on the ALTO had split bass/treble controls for the lower two strings versus the upper four, and consequently, three knobs on the front of the guitar, versus four knobs on the BECK-6. Both Cort guitar models could be purchased directly from Joe Beck through his website and at guitar dealers. The BECK-6 is much more common, versus the BECK-ALTO, of which an estimated 200 were made.
Retrieved from
https://en.wikipedia.org/wiki/Joe_Beck
T11
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