a German lyric tenor, born in Kusel in the Rhineland. His mother was a violinist and his father was a choir-master. For a short time, the family kept the inn "Emrichs Bräustübl". Fritz's father lost his job due to pressure imposed upon him by local Nazis, in addition to suffering from a severe battlefield injury. He committed suicide when Fritz was five years old. The story regarding Wunderlich's discovery parallels many of his contemporaries (notably Nicolai Gedda and Dietrich Fischer-Dieskau). As a young man Wunderlich worked in a bakery. At the insistence of neighbors and passers-by who had witnessed his musical gifts and beautiful voice, Wunderlich decided to begin studies in music. He managed to obtain a scholarship in order to pursue his studies at the Freiburg College of Music where he studied French horn and voice.
Wunderlich was soon noted as a brilliant young tenor, especially in Mozartian roles, but he later expanded his reach to the full range of the lyric tenor repertoire. It was the fashion during Wunderlich's career for German theaters to perform operas in the local rather than original language. Therefore, most of his recordings of the standard operatic repertoire are sung in German, including Verdi's Rigoletto and Don Carlos. (He sang his recording of the Verdi Requiem in distinctly Germanic Latin.) Wunderlich achieved the highest distinction within the German repertory. Of special importance is a recording of Mozart's The Magic Flute in which Wunderlich stars as Prince Tamino opposite baritone Dietrich Fischer-Dieskau in the role of Papageno. This was one of the first recordings of this piece; it was aggressively marketed by Deutsche Grammophon and it remains a best-seller.
Wunderlich's crystal-clear voice and intelligent, restrained interpretation also led him to impressive renditions of the Lieder cycles of Schubert and Schumann with pianist Hubert Giesen. His famous recording of Schumann's Dichterliebe remains a golden standard of this genre. Many tenors since have emulated Wunderlich's interpretation of this cycle.
Another notable recording he left is J. S. Bach's Christmas Oratorio, with fellow singers Gundula Janowitz, Christa Ludwig, and Franz Crass, conducted by Karl Richter. Also astonishing is an album of pre-Bach sacred songs, featuring music of Schütz, Telemann, Buxtehude, and other less well-known composers.
He occasionally sang minor Wagner roles such as the Steuermann in The Flying Dutchman, Walther von der Vogelweide in Tannhäuser, and the Hirt in Tristan und Isolde.
Wunderlich's promising career was cut short by an accident: he fell from a stairway in a friend's country house in Oberderdingen near Maulbronn, and died in the University Clinic of Heidelberg just days before his 36th birthday. He is buried in Munich's Waldfriedhof cemetery.
At the time of his death, he had been recording Haydn's The Creation, with the Berlin Philharmonic and the Wiener Singverein under Herbert von Karajan, the other soloists being Christa Ludwig, Gundula Janowitz, Walter Berry and Fischer-Dieskau. Wunderlich had completed recording his arias, but Werner Krenn was hired to record the recitatives. Several recorded live performances of Wunderlich singing the whole part, under Karajan, survive.
Available videos include a full-length performance (in German) as Count Almaviva in The Barber of Seville, and a recital of operatic arias.
In a survey published in the BBC Music Magazine of April 2008, Wunderlich was voted the fourth greatest tenor of all time.
His hobbies included hunting (he was on a hunting-vacation when he fell down stairs and died), guns, and fast cars.
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